#BookReview The Pigeon Tunnel: Stories From My Life by John le Carré

ThePigeonTunnelAbout the Book

From his years serving in British Intelligence during the Cold War to a career as a writer, John le Carré has lived a unique life.

In this, his first memoir, le Carré is as funny as he is incisive – reading into the events he witnesses the same moral ambiguity with which he imbues his novels. Whether he’s interviewing a German terrorist in her desert prison or watching Alec Guinness preparing for his role as George Smiley, this book invites us to think anew about events and people we believed we understood.

Best of all, le Carré gives us a glimpse of a writer’s journey over more than six decades, and his own hunt for the human spark that has given so much life and heart to his fictional characters.

Format: ebook (310 pages)                   Publisher: Penguin
Publication date: 6th September 2016 Genre: Memoir

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My Review

I’m a long-time fan of John le Carré’s novels, having read just about every novel he’s written, with the exception of Silverview which is in my TBR pile. The Pigeon Tunnel (the inspiration for the title is explained in his introduction to the book) is less a memoir than a series of essays in which he muses on the people he’s met and the places he’s travelled to, with some anecdotes thrown in for good measure.

The stories are written with all the literary eloquence you’d expect from a bestselling author but I particularly enjoyed learning about the inspiration for some of the characters in his books and how he went about researching the different storylines and settings during which he demonstrates he is a master of observation. Although he refers to his time working for British intelligence, he refrains from giving much away about the work he did although it clearly informed the plots of many of his novels.

The book covers a range of subject matter from the amusing, the informative to the thought-provoking. Rather than try to cover them all I’ll just pick out a few of my favourites.

  • ‘Official visit’ in which he recalls a visit to London by a group of young Germans. ‘All they knew about London in the sixties was that it was swinging, and they were determined to swing with it.’ In an attempt to be the perfect host and meet their request for late night female company, he seeks advice from the hotel concierge. ‘Halfway up Curzon Streets on your left-hand side, sir, and there’s a blue light in the window says “French Lessons Here”.’
  • ‘Theatre of the Real: dances with Arafat’ in which he recalls travelling to a 1982 meeting with Yasser Arafat in Beirut surrounded by armed fighters. ‘We are racing through a smashed city in pouring rain with a chase Jeep on our tail. We are changing lanes, we are changing cars, we are darting down side streets, bumping over the central reservation of a busy dual carriageway.’
  • ‘Lost masterpieces’ in which he reflects humourously on the films of his books that were never made despite initial interest by famous directors including Fritz Lang, Stanley Kubrick and Francis Ford Coppola.
  • Observing Alec Guinness prepare for his role as George Smiley in the BBC adaptation of Tinker, Tailor, Soldier, Spy: ‘Watching him putting on an identity is like watching a man set out on a mission into enemy territory. Is the disguise write for him? (Him being himself in his new persona). Are his spectacles right? – No, let’s try those. His shoes are they too good, two new, will they give him away? And this walk, this thing he does with his knee, this glance, this posture – not too much, you think?’ (If you’ve ever watched the series, you’ll know Alec Guinness nailed George Smiley.)

I also enjoyed the insights into le Carré’s personal approach to the art of writing.

  • ‘Spying and writing are made for each other. Both call for a ready eye for human transgression and the many routes to betrayal.’
  • ‘To the creative writer, fact is raw material, not his taskmaster but his instrument, and his job is to make it sing.’
  • ‘Cameras don’t work for me. When I write a note my memory stores the thought. When I take a photograph, the camera steals my job.’
  • ‘The celebrity game has nothing whatever to do with writing… A theatrical performance, yes. An exercise in self-projection, certainly. And from the publishers’ point of view, the best promotional free ticket in town.’

In the book, John le Carré comes across as a humanitarian, a philantropist, a sympathetic listener, a loyal friend and someone with a self-deprecating and wry sense of humour. I got the sense that recent political and global events had left him a little disillusioned. A notoriously private man, he reveals little about his personal life, the exception being the chapter in which he talks about his difficult relationship with his father, Ronnie. Describing him as a conman, fantasist, and occasional jailbird, by the end of the chapter the reader understands exactly what an apt description of his father this is.

Towards the end of the book, he writes ‘Today, I have no god but landscape, and no expectation of death but extinction. I rejoice constantly in my family and the people who love me, and whom I love in return. Walking the Cornish cliffs, I am overtaken with surges of gratitude for my life.’  What a remakable life it was.

The Pigeon Tunnel made fascinating reading as well as providing the final book I needed to finish the Bookbloggers Fiction Challenge 2021 hosted by Lynne at Fictionophile. Okay, so the book is non-fiction but it’s the season of goodwill so I’m sure Lynne will make an exception.

In three words: Fascinating, insightful, authentic

Try something similar: An Orderly Man by Dirk Bogarde

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John le CarreAbout the Author

John le Carré was born in Poole, Dorset in England on 19 October, 1931. He went to Sherborne School and, later, studied German literature for one year at University of Bern. Later, he went to Lincoln College, Oxford and graduated in Modern Languages. From 1956 to 1958, he taught at Eton and from 1959 to 1964, he was a member of the British Foreign Service as second secretary at British Embassy in Bonn, and then, as Politician Consul in Hamburg. His first novel was written in 1961 and, by the time of his death in December 2020, he had published nearly 30. His books took many prizes, and inspired numerous films. (Bio: Wikipedia/Photo: Goodreads)

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#BlogTour #BookReview An Extra Pair of Hands: A Story of Caring, Ageing and Everyday Acts of Love by Kate Mosse @ProfileBooks @midaspr @CheltLitFest

CLF Blog Tour Week 2 BannerToday I’m delighted to be hosting a stop on a special blog tour to celebrate Cheltenham Literature Festival which is taking place between 8th and 17th October in various venues around Cheltenham. There’s something for everyone including talks and interviews with authors from a variety of genres and events for children. There are still tickets available for some events which you can purchase via the Cheltenham Literature Festival website.

I was thrilled to receive a copy of Kate Mosse’s book, An Extra Pair of Hands: A Story of Caring, Ageing and Everyday Acts of Love, courtesy of the Wellcome Collection, Profile Books and Midas PR. Kate is appearing alongside Michael Rosen at Cheltenham Literature Festival tomorrow, 14th October 2021. You can read my review of An Extra Pair of Hands below. You can also read my write-up of Kate’s recent appearance at Henley Literary Festival in which she talked about both A City of Tears, the latest novel in The Burning Chambers series, and An Extra Pair of Hands.

An Extra Pair of HandsAbout the Book

As our population ages, more and more of us find ourselves caring for parents and loved ones – some 8.8 million people in the UK. An invisible army of carers holding families together.

Here, Kate Mosse tells her own personal story of finding herself a carer in middle age: first, helping her heroic mother care for her beloved father through Parkinson’s, then supporting her mother in widowhood, and finally as ‘an extra pair of hands’ for her 90-year-old mother-in-law.

This is a story about the gentle heroism of our carers, about small everyday acts of tenderness, and finding joy in times of crisis. It’s about juggling priorities, mind-numbing repetition, about guilt and powerlessness, about grief, and the solace of nature when we’re exhausted or at a loss. It is also about celebrating older people, about learning to live differently – and think differently about ageing.

But most of all, it’s a story about love.

Format: Hardcover (208 pages)  Publisher: Wellcome Collection/Profile Books
Publication date: 3rd June 2021 Genre: Nonfiction, Memoir

Find An Extra Pair of Hands: A story of Caring, Ageing and Everyday Acts of Love on Goodreads

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My Review

As Kate Mosse points out in the opening chapter of the book, An Extra Pair of Hands is not a ‘how to’ book but a tribute to three ‘extraordinary’ people – her father, her mother and her mother-in-law – and her own reflections on becoming a carer, the ‘extra pair of hands’ of the book’s title.

The are many moments of insight, such as the distinction between ‘caring’ and being a ‘carer’. As she says, the latter is about ‘routine, the endless repetition of things, of always having someone else’s needs at the forefront of your mind. The quotidian tasks that repeat and repeat: conversations, medication, meals, laundry, personal hygiene.’ (Interestingly, Ed Balls during his appearance at Henley Literary Festival last week said something similar about his experience of caring for his mother who has dementia.)

Kate argues that too often the needs of carers are overlooked and she produces evidence to show that the responsibility for caring falls overwhelmingly on women, leading her to conclude, ‘Care is a feminist issue.’ She is honest enough to admit that she is in a more fortunate position than most carers, including having an occupation that she can do from home. I think the book was especially good at communicating the many facets of being a carer – the emotional, physical, social and financial aspects as well as the practical day-to-day responsibilties.

Alongside her experiences of caring for her father, mother and then her mother-in-law, Kate shares lovely memories of her childhood and of her parents’ early lives.  And I was struck by how important nature and the countryside is to her, as a distraction from everyday concerns and a place for contemplation. ‘In the garden, the grass is stiff and white with frost. The sky is shifting from a glittering starred black to blue, the sun now rising in an apricot sky. The softest tint of pink reflecting on the roof of the house next door’. That passage is made all the more poignant because it is the morning of her mother’s funeral. Indeed there are intensely moving sections of the book describing the final days of her father’s life, and later her mother’s too.

Although the book addresses many serious topics, there are joyful moments as well such as when Kate’s mother-in-law, always referred to as Granny Rosie, becomes a media star by entertaining the neighbours gathered for the Thursday night Clap For Carers with a World War II playlist on her electric piano.

An Extra Pair of Hands is both an insight into what caring for someone involves – the joys and the moments of despair – and a call to action to those in a position to improve the lives of carers and the people they care for. As Kate observes, ‘Enjoy the good days, muddle through the bad days, and never take anything for granted.’ Not a bad motto to live by whatever your situation.

In three words: Insightful, moving, thought-provoking

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Kate MosseAbout the Author

Kate Mosse is an international bestselling novelist, playwright and nonfiction author with sales of more than eight million copies in 38 languages. Renowned for bringing unheard and under-heard histories to life, she is a champion of women’s creativity. She is the Founder Director of the Women’s Prize for Fiction, sits on the Executive Committee of Women of the World and is a Visiting Professor of Contemporary Fiction and Creative Writing at the University of Chichester.  She lives in West Sussex with her husband and mother-in-law. (Photo credit: Twitter profile)

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