Book Review: Darkest Hour by Anthony McCarten

Darkest HourAbout the Book

May, 1940. Britain is at war. The horrors of blitzkrieg have seen one western European democracy after another fall in rapid succession to Nazi boot and shell. Invasion seems mere hours away. Just days after becoming Prime Minister, Winston Churchill must deal with this horror—as well as a sceptical King, a party plotting against him, and an unprepared public. Pen in hand and typist-secretary at the ready, how could he change the mood and shore up the will of a nervous people?

In this gripping day-by-day, often hour-by-hour account of how an often uncertain Churchill turned Britain around, the celebrated Bafta-winning writer Anthony McCarten exposes sides of the great man never seen before. He reveals how he practiced and re-wrote his key speeches, from ‘Blood, toil, tears and sweat’ to ‘We shall fight on the beaches’; his consideration of a peace treaty with Nazi Germany, and his underappreciated role in the Dunkirk evacuation; and, above all, how 25 days helped make one man an icon.

Using new archive material, McCarten reveals the crucial behind-the-scenes moments that changed the course of history. It’s a scarier—and more human—story than has ever been told.

Format: Paperback (336 pp.)         Publisher: Viking
Published: 28th September 2017   Genre: History, Non-Fiction

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My Review

Subtitled How Churchill Brought England Back from the Brink, the book provides a fascinating insight into one of the most pivotal periods of the Second World War, namely the few weeks in May 1940 when the British Government faced the reality of German advances into Belgium and the Netherlands, the prospect of the capitulation of France, the possible entry into the war of Italy as an ally of Germany and the loss of the British Expeditionary Force pinned down in Dunkirk.

The author provides the reader with a potted history of Churchill’s childhood, school days, military service, career in journalism, marriage to Clementine Hozier and his entry to Parliament. For those interested in learning more about Churchill’s early life and his troubled relationship with his father, Randolph, I can recommend searching out the film Young Winston starring Simon Ward.   The author also provides biographical information about Winston Churchill’s main opponent in the War Cabinet, Lord Halifax.

The key new ground explored in the book is the author’s contention that Winston Churchill, at the urging of Lord Halifax and Neville Chamberlain, did at least consider the terms on which negotiations with Germany for peace might take place. It’s clear he had significant reservations about such a course of action, both for strategic reasons and also because it flew in the face of everything he believed in. Churchill had recognised as early as 1933 the threat that a resurgent Germany might pose and had urged rearmament. At the time, this view was against the sway of public opinion and in Government circles there was greater fear about the spread of Communism than the threat from Hitler. Churchill was proved right in his warnings when on 9th May 1940 the Germans invaded Belgium and The Netherlands.  No wonder then that the idea of peace negotiations never progressed beyond discussion.

Thank goodness that key figures of the time chose to record their thoughts in diaries and journals giving the author access to fascinating insights into the shifting opinions and power struggles within the War Cabinet and wider Government. The reader gets an almost ‘fly on the wall’ view of the meetings, the discussions, the arguments, the motives and the political manoeuvring of the various individuals involved.

The author spends quite a bit of time examining the impact of Churchill’s oratory, dissecting key speeches and the phrases in them that have now become the stuff of legend – ‘I have nothing to offer but blood, toil, tears and sweat’, ‘victory at all costs’, ‘we shall fight on the beaches’. He provides fascinating information about the literary inspirations for some of these speeches and Churchill’s meticulous preparation for them.

McCarten also argues that the idea to co-opt the so-called ‘little ships’ to aid the evacuation of the British Expeditionary Force from Dunkirk (Operation Dynamo) was the brainwave of Churchill himself, an idea for which he has not previously been recognised. The result of the operation was that 330,000 men were evacuated from the beaches of Dunkirk ensuring they were available to defend Britain against a possible invasion.

Among the many things that struck me whilst reading the book was the so-called ‘fog of war’. Today, our military leaders have drones, satellites and instant communication at their disposal. It’s easy to forget what it must have been like to make crucial decisions about the direction of a war based on information that could be both unreliable and/or out of date. This was a time when communication still relied on letters, telegrams or face-to-face meetings.

One can’t really review a book like this without mentioning some of the idiosyncrasies of Churchill the man that it reveals. For example, his preferred breakfast tray which would contain a glass of Scotch and soda between the rack of toast and plate of eggs, his penchant for a two-hour afternoon nap followed by a hot bath from which he would rise clad only in a bath towel or sometimes not even that. Furthermore, one has to marvel at his capacity for alcohol. After the aforementioned whisky and soda at breakfast, ‘a bottle of Pol Roger champagne would be consumed at lunch, and another bottle at dinner, chased by a fine port or brandy digestif into the small hours’.  The author reports that when Churchill was asked once how he managed to drink during the day he replied, “Practice”.

The author describes Churchill when he became Prime Minister as ‘an amalgam of irreconcilable parts: showman, show-off, blow-hard, poet, journalist, historian, adventurer, melancholic…’. But, by golly, if ever there was a case of the right person in the right place at the right time, it was Winston Churchill in 1940.

I found this book absolutely fascinating and would recommend it to anyone interested in this period of European history or the role of leadership in time of crisis.  It has extensive references and also some fabulous photographs of which my favourite is one captioned ‘Londoners listening to Churchill’ which shows people in a pub gathered around the radio.

Darkest Hour is my choice for this month’s theme of the Bookbum Book Club. It also forms part of my From Page to Screen Reading Challenge. Look out for my comparison of the book and the film (for which the author wrote the screenplay) in the next few days.

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In three words: Compelling, detailed, insightful

Try something similar…Darkest Hour (the film, starring Gary Oldman)

Anthony McCartenAbout the Author

Anthony McCarten’s debut novel, Spinners, won international acclaim, and was followed by The English Harem and the award winning Death of a Superhero, and Show of Hands, all four books being translated into fourteen languages. McCarten has also written twelve stage plays, including the worldwide success ‘Ladies’ Night’, which won France’s Molière Prize, the Meilleure Pièce Comique, in 2001, and ‘Via Satellite’, which he adapted into a feature film and directed, premiered at the 1999 Cannes Film Festival. Also a filmmaker, he has thrice adapted his own plays or novels into feature films, most recently Death Of A Superhero (2011) which premiered at the Toronto International Film Festival. Anthony divides his time between London and Los Angeles.

Connect with Anthony

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Throwback Thursday: The Visitor at Anningley Hall by Chris Thorndycroft


Throwback Thursday is a weekly meme hosted by Renee at It’s Book Talk.  It’s designed as an opportunity to share old favourites as well as books that we’ve finally got around to reading that were published over a year ago.  If you decide to take part, please link back to It’s Book Talk.

Today I’m reviewing a short story published in 2015 – The Visitor at Anningley Hall by Chris Thorndycroft. I came across it because I took part in the blog tour for one of Chris’s other books, Lords of the Greenwood.  You can read all about that book and a fascinating guest post from Chris here.

This is also my book for this month’s The BookBum Club theme – ‘Short and Sweet’ (books under 200 pages).

The Visitor at Anningley HallAbout the Book

In 1904, M. R. James published ‘The Mezzotint’, a macabre short story about a picture that has a chilling tale of its own. This novella explores the horrifying events told within that picture.

Anningley Hall – a large country house in Essex – is home to Arthur Francis and his wife Elisa. Arthur is obsessed with his new printing press and so consumed by his desire to make a name for himself as a mezzotint artist that he is oblivious to his wife’s increasing desperation and loneliness. Elisa is convinced that something sinister is coming for their infant son and will stop at nothing to protect him. When she discovers a disturbing secret pertaining to her husband’s past, she begins to question the safety of their home as a refuge from evil. And their three-year-old son is in contact with a dark presence that seems intent on entering Anningley Hall…

Format: ebook (46 pp.)         Publisher:
Published: 2015                     Genre: Short Story, Ghost Story, Horror

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My Review

I am a big fan of M. R. James’ ghost stories and, in my household, Christmas is not complete without a repeat viewing of one of the stories adapted for television by the BBC in the 1970s (available on DVD from The British Film Institute). So naturally I was excited when I came across this short story which describes itself as a prequel to one of those stories, ‘The Mezzotint’.

In ‘The Mezzotint’, one of the most well-known of M. R. James’ ghost stories, Mr Williams, the curator of a University art museum, is sent what appears at first to be a rather undistinguished engraving of an unidentified country house.  However, the picture proves to have quite remarkable properties, revealing bit by bit the chilling story of a tragedy.    The Visitor of Anningley Hall goes behind the scenes of the picture to recount and enlarge upon the events eventually discovered by Williams and his colleagues in The Mezzotint.

The author has fun recreating the style and language of M. R. James, complete with some of James’ trademark deprecating asides about golf and what he regards as ‘lowbrow’ culture (“Tess of the D’Urbevilles?…it’s not a book I could ever read myself.”)  For instance, this from The Mezzotint:

‘…tea was taken to the accompaniment of a discussion which golfing persons can imagine for themselves, but which the conscientious writer has no right to inflict upon any non-golfing persons.’ 

And this from The Visitor at Anningley Hall:

‘Some discussed the vicar’s sermon, others the weather, and some rather dull gentleman shared anecdotes from the links which the golfing reader will have to imagine.’

There were just a couple phrases – ‘six months in the loony ward’ and ‘off her rocker’ – that, although they might have been around in M. R. James’ day, I wasn’t sure would have been common usage in 1805 when the story is set.

If ruined cottages, shadowy figures glimpsed through a window and what appear to be bundles of rags crawling slowly across a lawn get your spine tingling, then you will not be disappointed by The Visitor at Anningley Hall.  It is an accomplished homage to M. R. James by an author who clearly admires the work of that doyen of the ghost story.   However, since by the end, the reader knows everything about the events depicted in M. R. James’ original story, this prequel does make ‘The Mezzotint’ itself largely redundant.  On the other hand, it is not necessary to be familiar with ‘The Mezzotint’ to enjoy this short story.  And, if it does whet your appetite, there are lots of other fantastic ghost stories by M. R. James to be discovered.  Some of my favourites are ‘The Ash-Tree’, ‘Oh, Whistle, and I’ll Come To You, My Lad’ and ‘Number 13’.

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In three words: Creepy, chilling, suspenseful

Try something similar…Collected Ghost Stories by M. R. James

Chris ThorndycroftAbout the Author

Chris Thorndycroft is a British writer of historical fiction, horror and fantasy. His early short stories appeared in magazines and anthologies such as Dark Moon Digest and American Nightmare. His first novel under his own name was A Brother’s Oath. He also writes under the pseudonym P. J. Thorndyke.

Connect with Chris

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