Event Review: Anne O’Brien & Rory Clements at Henley Literary Festival

Despite being in its 11th year and the fact I don’t live far away, yesterday was my first visit to Henley Literary Festival. Having enjoyed browsing in some of the town’s excellent bookshops, for my first event of the day, I joined a keen crowd taking their seats in the wood-paneled chamber of Henley Town Hall. We were there to hear best-selling historical fiction writers, Anne O’Brien and Rory Clements, in conversation with writer and presenter, Hephzibah Anderson.

The discussion started with both writers talking about what first drew them to historical fiction.

In Anne’s case, she explained it was her compulsion to write about aristocratic medieval women. Here were well-educated women, involved in important political events of the day through their husbands or family but about which history was largely silent. She felt these women had a lot to say and wanted to give them a voice. Asked if her research into these women’s lives had changed her view of the medieval period, Anne said it had brought home to her that these women lived very different lives to ours today. They were subject to much stricter rules of behavior and, if they had ambition, this had to be pursued in what was a man’s world. Being seen to live a good life was essential because it was easy for women, regarded as ‘Daughters of Eve’, to get the blame for every misfortune.

For Rory, historical fiction is part of our cultural heritage. After all, as he pointed out, Shakespeare made up the words of English Kings and Roman Emperors and writers have always imagined themselves into events in history that weren’t recorded.   Reading about the life of Robert Southwell and coming across the character of Richard Topcliffe – in Rory’s words, ‘a seriously horrible man’ – sparked his interest in the 16th century and was the inspiration behind setting series of thrillers in that period.  Rory was asked if he was sad to be leaving this period behind for his new three-part series set in the 1930s (the first of which is Corpus). Rory said it was fun to research a new period and since his protagonist, Tom Wilde, is an expert on the Elizabethan secret service, he hadn’t completely left it behind.   Rory reassured fans of John Shakespeare (of which I count myself one) that he will return in future books.

Both writers than spoke about what draws them to a period of history – is it a particular character or the time itself? For Anne, it’s definitely the characters. As she put it, ‘people pop up’ as she undertakes her research. Sometimes they may start on the periphery but subsequently move centre stage. For instance, Joan of Kent, the subject of Anne’s latest book The Shadow Queen, has made cameo appearances in several of her previous novels.   At times, Anne said, it’s as if the characters are sitting on her shoulder whispering ‘write about me’ until she eventually gives in! Anne made the very interesting point that, unlike other genres, with historical fiction we know the end, we know how events will turn out. The challenge for her and other writers of historical fiction is to keep the reader reading in spite of this by trying to communicate the motivation of the characters and fill in the gaps between recorded events.

For Rory it’s more likely to be a particular period that attracts him or, as an ex-journalist, his instinct for a story and questioning the facts behind reported events. He gave the example of reading that Phillip II of Spain had taken out a contract against Sir Francis Drake before the Armada – this became the starting point for the plot of his first John Shakespeare novel, Martyr.

The discussion moved on to what both authors find the hardest part of bringing history to life.

Anne said, in a way, it was her own deliberate decision to write in the first person, her desire to provide a woman’s view of the period and explore the motivation of her characters. Clearly, because of their role in society, women would not have witnessed certain events first hand, so her challenge was always to think up creative ways to introduce information about external events.   Rory mentioned slow communication and transport as one of the challenges for a writer constructing a story based in the 16th century. However, he had actually found the 1930s harder. Not only are the events better documented but they are still in the living memory of some people. His greatest, however, was not succumbing to the benefit of hindsight but representing the views of people as they were held at the time.   Reading diaries was the best way to get in tune these because of their immediacy.

Finally, Anne and Rory were asked how they decide when it’s time to stop research and start writing, or if these happen in parallel. Anne said that, for her, it’s when the characters start to ‘speak’ to her, as it were – it can be like flicking a switch. Rory enjoys the process of research and goes to great lengths to get historical detail right. But, in the end, he’s writing a novel not straight history and it’s the story that’s important.


As you can tell from above, this was an absolutely fascinating discussion by two authors at the top of their game when it comes to historical fiction. After the talk, there was an opportunity to purchase Anne’s and Rory’s books and get them signed by the authors. I was thrilled to get Rory to sign my copy of Corpus.   I haven’t read any of Anne O’Brien’s books but I thoroughly enjoyed listening to her talk about her craft. Her passion for history is infectious. I wish she had been my history teacher! Her latest book, The Shadow Queen, is going on my Christmas list.

I shall be writing separately about the second event I attended yesterday, featuring author, Rachel Joyce.

Please note, this review is based on notes I took during the event and my own recollection.  Any errors in recording views expressed during the discussion are my own.


AnneO'BrienAbout Anne O’Brien

Anne was born in the West Riding of Yorkshire. After gaining a B.A. Honours degree in History at Manchester University, a PGCE at Leeds University and a Masters degree in Education at Hull University, she worked as a teacher of history. Always a prolific reader, she enjoyed historical fiction and was encouraged to try her hand at writing. Success in short story competitions spurred her on.  She has written many books including The Queen’s Choice about Joanna of Navarre, The Forbidden Queen about Katherine de Valois and her latest The Shadow Queen about Joan of Kent, mother of Richard II.

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RoryClementsAbout Rory Clements

Rory Clements has had a long and successful newspaper career, including being features editor and associate editor of Today, editor of the Daily Mail’s Good Health Pages, and editor of the health section at the Evening Standard. He now writes full-time in an idyllic corner of Norfolk, England. He is the best-selling author of the John Shakespeare series of historical mysteries. His latest book, Corpus, the first in a new series, is set in 1936.

Website ǀ Goodreads

 

About Henley Literary Festival

The Henley Literary Festival was founded in 2007 and has established itself as one of the UK’s most popular literary festivals, bringing people from far and wide in an annual meeting-of-minds set across its stunning riverside hometown. The 2017 Festival takes place from October 2-8 at venues across Henley-on-Thames with over 150 talks, Q&As, workshops and performances for adults and children.

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6 thoughts on “Event Review: Anne O’Brien & Rory Clements at Henley Literary Festival

    1. It was, and the event with Rachel Joyce even more so. Got pages of notes to write up about that! Hopefully publish it tomorrow. She was fascinating. More books added to the wishlist though unfortunately…I’ve only read Harold Fry so far but she read from her new one The Music Shop.

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      1. The Music Shop sounds great. I was tempted to treat myself but resisted and I’ll follow your example and borrow from the library. There is a playlist to go with it apparently of the music ‘prescribed’ by Frank to his customers in the book.

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